Handel【Rodelinda, Regina de'Longobardi , HWV 19】Klavierauszug , Vocal Score
Handel【Rodelinda, Regina de'Longobardi , HWV 19】Klavierauszug , Vocal Score
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巴洛克德國作曲家韓德爾歌劇「Rodelinda, Regina de' Longobardi ,HWV 19」Klavierauszug , Vocal Score。
- 庫存狀況: 尚有庫存
- 出版社: Bärenreiter
- 原文書名: Rodelinda, Regina de' Longobardi HWV 19 Dramma per musica in thre acts
- 作者: George Frideric Handel
- 編訂者: Jones, Andrew V.
- 總書頁: 303
- 商品編號: 9790006505395
- ISBN: 9790006505395
NT 1,553
NT 1,553
未稅: NT 1,553
簡介
【簡介】
After Giulio Cesare and Tamerlano , Rodelinda is the third masterly opera that Handel composed between December 1723 and January 1725. The words were written by Nicola Haym , the author of many other Handel librettos. The first performance took place at the King’s Theatre in the Haymarket, London , on 13 February 1725. Rodelinda thrives entirely on the ethical supremacy of conjugal love, and thus prefigures the great operas by Gluck and Beethoven on the same subject. The plot is taken from the history of the Lombard royalty.
Oskar Hagen’s revival of Rodelinda in 1920 ushered in the modern Handel opera movement.
The work forms the climax to a series of dramatic masterpieces that includes Handel’s most significant operas.
Handel returned to Rodelinda on two occasions, in December 1725 and in May 1731. Many far-reaching changes were necessary owing to the different skills of the new singers.
For example, Handel wrote three new arias and a duet for the first revival. Yet the changes he made for this performance, doubtless to accommodate the needs and wishes of the singers, also improve the work’s dramatic substance.
Our vocal score is based on the Urtext of the full score published in the Halle Handel Edition (II/16) and reproduces the various alternative readings and versions in an appendix.
• Reliable vocal score based on the Urtext from the Halle Handel Edition
• Easy to play, designed for use in performance
• Clear, spacious appearance on the page
After Giulio Cesare and Tamerlano , Rodelinda is the third masterly opera that Handel composed between December 1723 and January 1725. The words were written by Nicola Haym , the author of many other Handel librettos. The first performance took place at the King’s Theatre in the Haymarket, London , on 13 February 1725. Rodelinda thrives entirely on the ethical supremacy of conjugal love, and thus prefigures the great operas by Gluck and Beethoven on the same subject. The plot is taken from the history of the Lombard royalty.
Oskar Hagen’s revival of Rodelinda in 1920 ushered in the modern Handel opera movement.
The work forms the climax to a series of dramatic masterpieces that includes Handel’s most significant operas.
Handel returned to Rodelinda on two occasions, in December 1725 and in May 1731. Many far-reaching changes were necessary owing to the different skills of the new singers.
For example, Handel wrote three new arias and a duet for the first revival. Yet the changes he made for this performance, doubtless to accommodate the needs and wishes of the singers, also improve the work’s dramatic substance.
Our vocal score is based on the Urtext of the full score published in the Halle Handel Edition (II/16) and reproduces the various alternative readings and versions in an appendix.
• Reliable vocal score based on the Urtext from the Halle Handel Edition
• Easy to play, designed for use in performance
• Clear, spacious appearance on the page
目錄
【簡介】
After Giulio Cesare and Tamerlano , Rodelinda is the third masterly opera that Handel composed between December 1723 and January 1725. The words were written by Nicola Haym , the author of many other Handel librettos. The first performance took place at the King’s Theatre in the Haymarket, London , on 13 February 1725. Rodelinda thrives entirely on the ethical supremacy of conjugal love, and thus prefigures the great operas by Gluck and Beethoven on the same subject. The plot is taken from the history of the Lombard royalty.
Oskar Hagen’s revival of Rodelinda in 1920 ushered in the modern Handel opera movement.
The work forms the climax to a series of dramatic masterpieces that includes Handel’s most significant operas.
Handel returned to Rodelinda on two occasions, in December 1725 and in May 1731. Many far-reaching changes were necessary owing to the different skills of the new singers.
For example, Handel wrote three new arias and a duet for the first revival. Yet the changes he made for this performance, doubtless to accommodate the needs and wishes of the singers, also improve the work’s dramatic substance.
Our vocal score is based on the Urtext of the full score published in the Halle Handel Edition (II/16) and reproduces the various alternative readings and versions in an appendix.
• Reliable vocal score based on the Urtext from the Halle Handel Edition
• Easy to play, designed for use in performance
• Clear, spacious appearance on the page
After Giulio Cesare and Tamerlano , Rodelinda is the third masterly opera that Handel composed between December 1723 and January 1725. The words were written by Nicola Haym , the author of many other Handel librettos. The first performance took place at the King’s Theatre in the Haymarket, London , on 13 February 1725. Rodelinda thrives entirely on the ethical supremacy of conjugal love, and thus prefigures the great operas by Gluck and Beethoven on the same subject. The plot is taken from the history of the Lombard royalty.
Oskar Hagen’s revival of Rodelinda in 1920 ushered in the modern Handel opera movement.
The work forms the climax to a series of dramatic masterpieces that includes Handel’s most significant operas.
Handel returned to Rodelinda on two occasions, in December 1725 and in May 1731. Many far-reaching changes were necessary owing to the different skills of the new singers.
For example, Handel wrote three new arias and a duet for the first revival. Yet the changes he made for this performance, doubtless to accommodate the needs and wishes of the singers, also improve the work’s dramatic substance.
Our vocal score is based on the Urtext of the full score published in the Halle Handel Edition (II/16) and reproduces the various alternative readings and versions in an appendix.
• Reliable vocal score based on the Urtext from the Halle Handel Edition
• Easy to play, designed for use in performance
• Clear, spacious appearance on the page
詳細規格
書籍資訊 | |
記譜法 | 五線譜(一般) |
原文語言 | 義大利文 |
特徵 | 西洋古典 |
適用對象 | 高級 |
古典作曲家 | Handel, G.F 韓德爾 |
聲樂 | 歌劇 |
時期與風格 | 巴洛克樂派 |
裝訂 | 平裝 |
形式 | 譜 |
外型尺寸 | 約A4尺寸 |