貝多芬的鋼琴奏鳴曲在鋼琴音樂的歷史中，聳立在一個至高地位的偉大文獻，這些作品被巧妙比喻成「新約聖經」一般。印證著貝多芬自身的發展歷程。它們體現了他一生所經歷的漫長的音樂和精神之旅，也是鋼琴作為一種獨奏樂器擁有日趨增強的力量的佐證。降B大調第11號鋼琴奏鳴曲，作品 22。
Composed in 1800 and published as a “Grande Sonate”, Beethoven’s Piano Sonata in B-flat major op. 22 marks the end of his first creative period. The only surviving handwritten source is a copyist’s manuscript that served as an engraver’s copy but which conflicts in many details with the original print. Beethoven held this sonata in especially high regard, proudly calling it “a real challenge” in a letter of 15 January 1801 to his publisher Franz Anton Hoffmeister. Indeed, it manifests the quintessence of classical formal principles: its proportions are balanced, its four-movement structure consummately designed.
It poses high demands on flawless technical brilliance and lightness of execution.
| 書籍資訊 | |
| 記譜法 | 五線譜(一般) |
| 原文語言 | 德文 |
| 特徵 | 西洋古典 |
| 樂器 | 鋼琴 |
| 古典作曲家 | Beethoven L.V. 貝多芬 |
| 形式 | 譜 |
