練習曲一般是為磨練演奏技巧而寫的樂曲，蕭邦練習曲特性，除了包含各種演奏技巧的習題外，也是為旋律、和聲、節奏和情緒的表現而寫的練習曲。蕭邦的鋼琴奏法，大部分是以優美連貫獨特的圓滑奏法來表現優雅微妙的色彩，此種獨特的創新手法也都一一應用在練習曲之中。
訂購時請留意
本書流轉速度慢，出版時間較久遠，已有部分泛黃現象
【簡介】
Although each study emphasizes an aspect of virtuoso piano technique, the etudes are some of the most effectively moving of all the concert works in piano literature. This 144-page volume includes the 24 Etudes, Opp. 10 and 25 as well as the three etudes without opus numbers composed in 1839 for Moscheles and Fetis's Method of Methods. Pedaling is taken from the original manuscripts and first editions, and fingering is editorial.
Song List: ‧Etude in A Minor [Op. 10, No. 2] ‧Etude in A Minor [Op. 25, No. 11] ‧Etude in A Minor [Op. 25, No. 4] ‧Etude in A-Flat Major [3 Etudes. No. 2] ‧Etude in A-Flat Major [Op. 10, No. 10] ‧Etude in A-Flat Major [Op. 25, No. 1] ‧Etude in B Minor [Op. 25, No. 10] ‧Etude in C Major [Op. 10, No. 1] ‧Etude in C Major [Op. 10, No. 7] ‧Etude in C Minor [Op. 10, No. 12] ‧Etude in C Minor [Op. 25, No. 12] ‧Etude in C-Sharp Minor [Op. 10, No. 4] ‧Etude in C-Sharp Minor [Op. 25, No. 7] ‧Etude in D-Flat Major [3 Etudes. No. 3] ‧Etude in D-Flat Major [Op. 25, No. 8] ‧Etude in E Major [Op. 10, No. 3] ‧Etude in E Minor [Op. 25, No. 5] ‧Etude in E-Flat Major [Op. 10, No. 11] ‧Etude in E-Flat Minor [Op. 10, No. 6] ‧Etude in F Major [Op. 10, No. 8] ‧Etude in F Major [Op. 25, No. 3] ‧Etude in F Minor [3 Etudes. No. 1] ‧Etude in F Minor [Op. 10, No. 9] ‧Etude in F Minor [Op. 25, No. 2] ‧Etude in G-Flat Major [Op. 10, No. 5] ‧Etude in G-Flat Major [Op. 25, No. 9] ‧Etude in G-Sharp Minor [Op. 25, No. 6]
| 書籍資訊 | |
| 記譜法 | 五線譜(一般) |
| 原文語言 | 英文 |
| 特徵 | 西洋古典 |
| 適用對象 | 高級 |
| 樂器 | 鋼琴 |
| 古典作曲家 | Chopin, F. 蕭邦 |
| 時期與風格 | 浪漫主義 |
| 裝訂 | 精裝 |
| 形式 | 譜 |
| 外型尺寸 | 大於A4 樂譜常用尺寸 |
